Richard Cory

Whenever Richard Cory went down town,
We people on the pavement looked at him:
He was a gentleman from sole to crown,
Clean favored, and imperially slim.
And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
"Good-morning," and he glittered when he walked.
And he was rich—yes, richer than a king,
And admirably schooled in every grace:
In fine, we thought that he was everything
To make us wish that we were in his place.
So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head.

-Edwin Arlington Robinson

Wikipedia. Web. 9 May 2010. http://en.wikipedia.org/wiki/Richard_Cory_(poem).

*Parallels The Great Gatsby as high class overshadows the true individual and it is shown that there is more to someone than their outward appearance.

The poem "Richard Cory" by Edwin Arlington Robinson parallels the novel The Great Gatsby by F. Scott Fitzgerald as high class overshadows the truth of the true soul of individuals. First, the poem "Richard Cory" says: "He was a gentleman from sole to crown,
Clean favored, and imperially slim. And he was always quietly arrayed." Through these previous lines, the poem describes a person who his wealthy and loved by the town. In connection to Fitzgerald's novel, Gatsby is continually throwing parties and trying to rise to a "higher class." Gatsby plans to rise from the low class he started at to get to the high class in anyway possible to impress Daisy. Then, from "Richard Cory" the following lines conclude the poem "And Richard Cory, one calm summer night,Went home and put a bullet through his head." These concluding lines reveal the poem's theme that there is more to a person than his or her outward appearance. The Great Gatsby involves several deceitful affairs including Gatsby and Daisy. Daisy and Gatsby seem like normal high class honest people while thats not their true self. In conclusion, people should not "judge a book by it's cover" because it only leads to tragedy.

Tears, Idle Tears by Lord Alfred Tennyson

Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy autumn-fields,
And thinking of the days that are no more.
Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.
Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.
Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more!

Wealth (Joyce Kilmer)

From what old ballad, or from what rich frame
Did you descend to glorify the earth?
Was it from Chaucer's singing book you came?
Or did Watteau's small brushes give you birth?
Nothing so exquisite as that slight hand
Could Raphael or Leonardo trace.
Nor could the poets know in FairylandT
he changing wonder of your lyric face.
I would possess a host of lovely things,
But I am poor and such joys may not be.
So God who lifts the poor and humbles kings
Sent loveliness itself to dwell with me.

Whispers of Immorality

Whispers of Immorality

WEBSTER was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.

Daffodil bulbs instead of balls
Stared from the sockets of the eyes!
He knew that thought clings round dead limbs
Tightening its lusts and luxuries.

Donne, I suppose, was such another
Who found no substitute for sense,
To seize and clutch and penetrate;
Expert beyond experience,

He knew the anguish of the marrow
The ague of the skeleton;
No contact possible to flesh
Allayed the fever of the bone.
. . . . .
Grishkin is nice: her Russian eye
Is underlined for emphasis;
Uncorseted, her friendly bust
Gives promise of pneumatic bliss.

The couched Brazilian jaguar
Compels the scampering marmoset
With subtle effluence of cat;
Grishkin has a maisonette;

The sleek Brazilian jaguar
Does not in its arboreal gloom
Distil so rank a feline smell
As Grishkin in a drawing-room.

And even the Abstract Entities
Circumambulate her charm;
But our lot crawls between dry ribs
To keep our metaphysics warm.

Love and a Question by Robert Frost

Love and a Question by Robert Frost
A Stranger came to the door at eve,
And he spoke the bridegroom fair.
He bore a green-white stick in his hand,
And, for all burden, care.
He asked with the eyes more than the lips
For a shelter for the night,
And he turned and looked at the road afar
Without a window light.

The bridegroom came forth into the porch
With, 'Let us look at the sky,
And question what of the night to be,
Stranger, you and I.'
The woodbine leaves littered the yard,
The woodbine berries were blue,
Autumn, yes, winter was in the wind;
'Stranger, I wish I knew.'

Within, the bride in the dusk alone
Bent over the open fire,
Her face rose-red with the glowing coal
And the thought of the heart's desire.

The bridegroom looked at the weary road,
Yet saw but her within,
And wished her heart in a case of gold
And pinned with a silver pin.

The bridegroom thought it little to give
A dole of bread, a purse,
A heartfelt prayer for the poor of God,
Or for the rich a curse;

But whether or not a man was asked
To mar the love of two
By harboring woe in the bridal house,
The bridegroom wished he knew.